《安东尼奥尼的电影〈奇遇〉、〈夜〉、〈蚀〉和〈红色沙漠〉中对女性角色的异化表现》(蓝心语)

蓝心语 Lydia

安东尼奥尼的电影《奇遇》、《夜》、《蚀》和《红色沙漠》中对女性角色的异化表现

The Representation of Female Alienation in Michelangelo Antonioni’s L’Avventura, La Notte, L’Eclisse and Red Desert

简介:

安东尼奥尼的电影总是非常地神秘、简洁、晦涩,他的整个电影生涯都与这种风格紧密相连。在安东尼奥尼的电影里,总是会出现一类女性,她们生存在由男性主导的社会中,渴望着属于自己的爱情,却总是被社会现实逼迫,在情感面前出奇地理智。本文将通过《奇遇》、《夜》、《蚀》和《红色沙漠》四部影片,对安东尼奥尼所勾绘的异化的女性角色进行分析。通过故事情节,角色设计,场景布置等多方面对其进行分析,以此进一步了解安东尼奥尼对其女性角色赋予的意义。

Antonioni's films are always mysterious, concise and obscure. This was the style that he colored with his films for his whole film career. In Antonioni's films, a woman character, who lives in a patriarchal society, longs for her own true love, but fails for the crucial reality, which makes her to stay rational for a new relationship. By analyzing the female alienation in L’Avventura, La Notte, L’Eclisse and Red Desert, this paper will make a further understanding of Antonioni’s representation of women.

 

 

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创建时间:2020年4月20日 22:32